| 000 | 01177nam a22002057a 4500 | ||
|---|---|---|---|
| 005 | 20191029085030.0 | ||
| 008 | 191029b xxu||||| |||| 00| 0 eng d | ||
| 020 | _a9781848600454 | ||
| 040 | _cRDA | ||
| 082 |
_a780.905 _bP958p c2018 |
||
| 245 |
_aPopular music digital technology and society/ _cNick Prior |
||
| 260 |
_a[Los Angeles]: _bSage, _c2018 |
||
| 300 |
_aix, 212 pages: _c24 cm. |
||
| 500 | _aIncludes bibliographical index | ||
| 505 | _aChapter 1 Introduction: Popular Music, Technology and SocietyChapter 2 After the Orgy: The Internet and Popular Music ConsumptionChapter 3 Apps, Laps and Infinite Tracks: Digital Music ProductionChapter 4 From Iron Cage to Digital Bubble? Mobile Listening Devices and the CityChapter 5 Vox Pop: Exploring Electronic and Digital VocalitiesChapter 6 Playsumption: Music and GamesChapter 7 Afterword: Digitus | ||
| 520 | _aTaking a distinctive, multi-theoretical look at popular music's place in contemporary society, this book is both an original inquiry and an assessment of the state of popular music - its protagonists, audiences and practices. | ||
| 650 | 0 |
_99087 _aPop music |
|
| 700 | _qPrior, Nick | ||
| 942 |
_2ddc _cBK |
||
| 999 |
_c27176 _d27176 |
||